Gramophone: recommended: 'The music is filled with melancholy and longing, alternating with anger and, at the end, a rather forced gaiety - Mörk's playing is fully equal to all the technical demands of a score designed to exploit Rostropovich's virtuosity and big tone. His expressive phrasing of the more lyrical passages and the pyrotechnical brilliance of the second movement and the cadenza are outstandingsly fine'.