”Recording of the month”, Musicweb-international.com 10/2013 AND 12/2013 5/5 Pizzicato 11/2013 ”…almost too wonderful: it makes other male-voice choirs sound inferior, and the singers frequently seem to be revelling in their technical virtuosity, such as sudden and perfectly controlled changes in dynamics, or great ringing chords that are perfectly voiced and tuned. …Anyone who responds to choral music will need to have this gorgeous CD.” International Record Review 12/2013 Estonia provides both starting point and goal for this disc of sacred music for male choir, with a traditional hymn followed by works by composers such as Kreek, Eespere and Lemba, and the closing De profundis by Arvo Pärt. But in between, Orphei Drängar and their conductor Cecilia Rydinger Alin make a grand tour of Europe, taking in music by composers from the Nordic countries, France, Italy, Central Europe and the UK. Biblical Psalms have provided many of these with their texts, such as Milhaud (in French), Langlais (in English), Kreek (in Estonian) and Pärt (in Latin). Others – Lemba, Söderman, Sandström – have set portions of the text of the Catholic mass. Grieg and Biebl were both inspired by prayers in Latin, while Rossini chose to set one in Italian. For Nattlig madonna ('Nocturnal Madonna') the Finnish composer Nils-Eric Fougtstedt selected a poem depicting the Virgin Mary with her newborn child by his compatriot Edith Södergran, while Bob Chilcott has chosen one by the Guyanese-British poet John Aagard, whose version of John Newton's Amazing Grace gives the background to the conversion of this 18th-century slave-trader turned abolitionist. Throughout a programme ranging from Rossini's Preghiera from c. 1860 to Sven-David Sandström's Sanctus, composed for the choir in 2010, Orphei Drängar and Rydinger Alin once again demonstrate the versatility and exalted standards that habitually causes the choir to be described as the finest male-voice choir in the world.