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Swedish composer Daniel Börtz (b. 1943) was a teacher of orchestration at the Royal College of Music in Stockholm in the 1970s and 1980s, and president of the Royal Swedish Academy of Music between 1998 and 2003. Initially, Börtz adopted the 'Polish' tonal field of the 1960s. Although his style went on to shift focus from tone and additive form to a more linear style of writing in an organic form language, his compositions are steeped from the beginning in a smplicity and austerity that bring out the lucidity of his emotionally charged declamations.
Solo Flute from A to Z - Vol.2
A Joker´s Tales - 21st-century music for recorder
Diamonds - 20th-Century Masterpieces for Male Choir
Håkan Hardenberger plays Swedish Trumpet Concertos
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Orchestras / Ensembles
Andersen, Hans Christian
Hopkins, Gerard Manley
Linné, Carl von
Choral - Secular
Malmö Symphony Orchestra
Royal Stockholm Philharmonic Orchestra
The Nightingale: 4 New Works for Recorder and Choir
The Plucked North
Daniel Börtz - His name was Orestes
Exposed Throat - Trumpet Recital
Music Web International: Record of the Month.
Amargos: Northern Concerto / Börtz: Pipes and Bells / Stucky: Etudes
Classics Today 10/10.
Pålsson, Hans: I Döda Mästares Sällskap, Vol. 5
Börtz: Variations and Intermezzi / Liljeholm: Tetrachordon / Hillborg: Celestial Mechanics
Koch / Neumann: Guitar Concertos / Wirén: Little Serenade / Hallnas: Paätita Amabile / Börtz: Ballad
Modern Swedish Piano Music
Mahler – Symphony No.2 ‘Resurrection’
Schubert - Death and the Maiden
Holst & Elgar: The Planets & Enigma Variations
The Trio Sonata through Two Centuries (bundle)
Beethoven – The Nine Symphonies
The Complete Choros & Bachianas Brasileiras
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