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Allan Pettersson

Allan Pettersson (1911–80) was one of Sweden’s greatest composers of symphonies. Towards the end of his life he received great critical success, and during the 1970s he was described in the press as ‘the leading symphonist of our country, a world figure’, as well as ‘one of Scandinavia’s greatest symphonists’. He began his musical career as a viola player, and during the 1940s was a member of the Stockholm Concert Society’s orchestra (now the Royal Stockholm Philharmonic Orchestra) after studies in Stockholm and in Paris. It was during this time that he started composing in earnest, taking lessons with Karl-Birger Blomdahl, among others. His début as a composer came with a 1950 radio broadcast of his Fugue in E for oboe, clarinet and bassoon, and in the autumn of that year Pettersson took leave of absence in order to compose. The following year, he went to Paris once again, this time to complete his studies in composition. He received tuition from Arthur Honegger, Olivier Messiaen and Darius Milhaud but the most important of his teachers was René Leibowitz. Conductor as well as composer, Leibowitz was probably the leading advocate of Arnold Schoenberg and of twelve-tone music in France. Leibowitz’s teaching was based on twelve-tone technique but included composition, musical analysis and orchestration. After a period of intense study, Pettersson returned to Sweden in 1952 and thereafter devoted himself exclusively to composition.

The first symphony that Pettersson completed was Symphony No. 2 (1952–53), which was premièred in 1954. He had earlier started on a symphony, but never completed it. The symphony became his natural mode of expression, and his 15 works in the genre hold a central role in the Swedish symphonic repertoire. The last of them, Symphony No. 16, was completed in 1979, the year before Pettersson’s death.

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Pettersson - Concerto for Violin & String Quartet
24 FLAC Discount Between 1934 and 1949, Allan Pettersson, one...
Allan Pettersson - Symphony No. 15 & Viola Concerto
Allan Pettersson’s Symphony No.
Allan Pettersson - Barfotasånger (Complete Songs)
From 1950 and onwards, Allan Pettersson was mainly occupied with...
Allan Pettersson - Symphony No. 12 ‘The Dead in the Square’
In more ways than one, the Twelfth Symphony forms an exception i...
Pettersson: Vox Humana & 6 Sanger
Allan Pettersson - Violin Concerto & Symphony No.17 (fragment)
In terms of genre, Allan Pettersson was uniquely single-minded: ...
Allan Pettersson - Symphonies Nos 5 & 7
A characteristic trait in Allan Pettersson’s music is the use of...
Allan Pettersson - Symphony No. 14
In their series of Allan Pettersson’s symphonies, Christian Lind...
Allan Pettersson – Symphonies Nos 4 & 16
Empfehlung, ‘La Clef’ The phy...
Pettersson: Symphony No. 9
Pettersson: Symphony No. 6
Pettersson: Symphony No. 15 - Das Gesegnete, das Verfluchte
Allan Pettersson – Symphonies Nos 1 & 2
Disco excepcional, Scherzo 05/2012 5 Stelle, Musica 03/2012 5 ...
Allan Pettersson — Eight Barefoot Songs, etc.
Klassik Heute 10/10/10.
Pettersson: Barefoot Songs / Concerto for Strings Nos. 1 and 2
Allan Pettersson - Seven Sonatas for Two Violins
Classics Today 10/10; Penguin Guide 3 stars.
Pettersson: Symphonies Nos. 10 & 11
Pettersson: Symphony No. 2 - Symphonic Movement
Pettersson: Symphony No. 7
Pettersson: Symphonies Nos. 3 & 4
Pettersson - Symphonies 8 & 10
BBC Music Magazine: outstanding; Penguin Guide 3 stars.
Pettersson - Symphony No.3 & 15
Pettersson - Vox Humana
Pettersson - Symphonies No.7 & 11
Gramophone: outstanding; Penguin Guide 3 stars.
Pettersson: Symphony No. 14
Mozart: Bassoon Concerto / Pettersson: Symphony No. 7
Pettersson - Symphony No.5
Penguin Guide 3 stars.
Stockholm Philharmonic Orchestra 75 years 1914-1989
Pettersson: Concerto for Strings No. 1 / Symphony No. 12,
Pettersson: Sonatas for 2 Violins
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