Gramophone: "These are beautifully prepared and thorough committed renderings under Thord Svedlund's clear-headed lead, realistically captured by the microphones within the Gothenburg orchestra's acoustically ideal home." Mieczysław Weinberg’s Symphony No. 3 and Suite No. 4 from "The Golden Key" reflect the composer’s unique ability to blend folk influences with sophisticated orchestral writing. Symphony No. 3, written in 1949–1950 and revised in 1959, incorporates Belorussian and Polish folk themes, demonstrating Weinberg’s response to Soviet demands for accessible, people-oriented music while maintaining his personal compositional voice. The symphony’s movements range from introspective to heroic, showcasing his mastery of thematic development and orchestral color. Suite No. 4, derived from Weinberg’s ballet "The Golden Key," captures the charm and whimsy of the original fairytale-inspired score. The suite’s dances highlight Weinberg’s playful and lyrical style, with characters like Burattino and his companions brought to life through vivid musical portraits. Performed by the Gothenburg Symphony Orchestra under Thord Svedlund, this recording brings Weinberg’s overlooked works to light, emphasizing their historical and artistic significance.