Penguin Guide 3 stars; Goldberg 5 stars; Stereoplay: outstanding. Centred on the celebrated Lachrimae, this recording explores one of the most emblematic expressions of Renaissance melancholy. Built upon a simple yet deeply affecting falling motif, the music unfolds through a sequence of pavans that transform a shared musical idea into a rich spectrum of emotional states—restrained grief, quiet introspection, and dignified lament. The subtle interplay between viol consort and lute creates a texture of remarkable clarity and intimacy, allowing each line to breathe while maintaining a sense of architectural coherence. The performers approach this repertoire with sensitivity to its rhetorical character, shaping phrases with a natural sense of pacing and tonal balance. Their use of period instruments lends a gentle warmth and translucency to the sound, illuminating the intricate counterpoint without heaviness. Beyond the central cycle, the surrounding dances and character pieces provide contrast, revealing a broader expressive range while remaining connected to the same inward, reflective spirit. The result is a performance that captures both the formal elegance and emotional depth of Dowland’s art, inviting the listener into a world where beauty and melancholy are inseparably entwined.