Martin Fröst plays Brahms
Catalog Number: BIS2063
Fanfare hails Martin Fröst’s “secure technique” and “honeyed tone,” calling this Brahms release “urgently recommended.” BIS (Stockholm 2013): Clarinet Quintet + 6 song transcriptions w/ Roland Pöntinen + bonus Trio (2005).
Sample rate
96000Hz/44100Hz
Janine Jansen appears courtesy of Decca Classics
Tracks 1–10: 96,000 Hz
Tracks 11–14: 44,100 Hz
“Audiophiles Highlight des Monats”, Stereo
5 Diapasons, Diapason
“You will not find another artist who plays these works with any more secure technique, honeyed tone, seamless phrasing, and sheer musical eloquence than Martin Fröst, and his ensemble partners in this enterprise are his coequals in every way. … Urgently recommended.”
Fanfare
Johannes Brahms’s Clarinet Quintet is core repertoire, not just for clarinettists but for the entire chamber music genre. As such, it had been on Martin Fröst’s “to-be-recorded list” for a long time, and when he gathered a dream team of string players for a concert in Stockholm in February 2013, it was the perfect opportunity for BIS to organize a recording session.
Brahms’s Quintet was written in 1891 by a composer who only a year earlier had renounced composing, but whose creative urge was reawakened by his encounter with the leading clarinettist of the time, Richard Mühlfeld. Some 120 years later, Fröst—one of today’s most highly regarded musicians and the recipient of the 2014 Sonning Prize—steps into Mühlfeld’s shoes, in the company of Janine Jansen, Boris Brovtsyn, Maxim Rysanov, and Torleif Thedéen.
As a complement to this substantial work, with a duration of almost 35 minutes, Martin Fröst has transcribed six much-loved songs by Brahms, performing them with his long-standing chamber music partner, the eminent pianist Roland Pöntinen. The songs, composed between 1866 and 1886, range from high lyricism (Die Mainacht) to bittersweet nostalgia (Wie Melodien …), via the humorous Vergebliches Ständchen.
To these new recordings has been added a substantial bonus: Martin Fröst’s performance with Pöntinen and Thedéen of the Trio for clarinet, cello, and piano, which Brahms composed for Mühlfeld in the same year as the Quintet. Originally released in 2005, the recording of the Trio received a warm welcome, including an Editor’s Choice in Gramophone and a “Disc of the Month” on the website ClassicsToday.com.
Published date
2014-05-01
Number of discs
1
Sample rate
96000Hz/44100Hz
Channels
stereo:32:2.0
surround:24:5.0
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