Winter Images (2018) was composed for Michiko Shimanuki. The first movement, “Snowscape”, depicts the magical appearance and great stillness and silence of a landscape covered in deep snow. By contrast the second movement, “Swirling Snowflakes”, is always moving and changing, portraying a heavy snow storm. The third movement “Melting Snow” evokes snow changing to water and dripping from trees. Cello Duo (2019). I wrote this piece for Sarah Carvalho-Dubost and Pavlos Carvalho. The first and second movements (“Waves and Ripples” and “The Searing Wind”) are imagistic, whilst the third, “Evening Thoughts”, has a contemplative quality. I am very fortunate in being able to see the sunset from the top floor of my house and I often watch this and reflect on how I have spent the day and the transience of everything. This meditative quality pervades this movement. Evening and Night (2017). This piece was composed for Imogen Whitehead and Jennifer Walsh. “Evening” evokes an urban landscape and is a homage to Miles Davis. The harmon mute on the trumpet gives it an introspective quality. This was a musical colour often used by Davis himself. In “Night Sea” the cup mute creates a veiled, darker tone: this movement evokes the constantly changing patterns of moonlight on water. “Questioning the Stars” begins with the trumpet playing “The Last Post” into the piano, causing the piano strings to resonate and echo the theme. In this instrumental dialogue, I imagine the trumpet posing the question – why do we go on having wars? – and the piano responding that the night sky has no answers, but registers the terrible suffering resulting from conflicts. The rest of the movement draws on phrases from “The Last Post” and ends with its first two notes played in unison by the piano and trumpet. Lute Sketches (2021) was written for Sam Brown. “Pastoral” reflects the joy of being in the countryside and “Variations” is just that: a theme and variations. Three Pieces for Michiko (2022). As the title suggests, these pieces were composed for Michiko Shimanuki. The first, “Children Meeting in Queen’s Park”, was my response to seeing Asian, Black and White parents bringing their children to the nursery in Queen’s Park Brighton. The children all ran to each other and smiled and embraced each other. I was very moved that skin colour was not an issue for them and by their great joy at seeing each other. There was a wild storm shaking the windows when I started working on “The Storm”: its ferocity is reflected in this movement. “Autumnal Atmospheres” has descending melodic lines portraying falling leaves, and has a melancholic quality as this season (the sunset of the year) causes me to review the year and anticipate its ending. Falling Leaves (2018). This guitar duo opens with the tapping of fingernails on the body of the guitar, depicting the sound of dry leaves hitting branches as they fall to the ground. Descending sequences of notes mirroring the movement of falling leaves, and alternating chords suggesting gentle breezes, follow and complete this imagistic piece, which was composed for Brian Ashworth and Jon Rattenbury. Three Places in Costa Rica (2020). I visited Costa Rica in 2019 and made sketches during my travels which I later developed into these three movements for violin and piano. “Cloud Forest in Monteverde” is a musical impression of the experience of walking through a swirling mist, across wooden bridges, in the canopy of a forest. Bird and animal calls periodically punctuated a deep calming silence. “The Sea at Puerto Viejo” paints in sound the multitude of different patterns created by waves breaking and criss-crossing on the beach. The last movement, “Night Walk in Kinkajou Nature Reserve” has a nocturnal, mysterious atmosphere. During this walk our guide pointed out all manner of life forms inhabiting the woodland. The piece was composed for Oliver Nelson and Vasileios Rakitzis. Duo for Violin and Viola (2020). This duo is dedicated to Robert Matthew Walker, and chronicles some of my experiences during the coronavirus pandemic. The piece opens with “This New Day” portraying a joyful peaceful morning, followed jarringly by “The Vortex” which reflects the fear and anxiety caused by the spread of the virus which was taking many lives. Next, “Dialogues” is a warm tender piece celebrating the ways in which people developed strategies for meeting and helping each other. Finally, “In Memoriam” expresses the great sadness I felt watching the newsreels about NHS workers who died whilst caring for people infected by the virus. The testimonials of friends and family consistently described unselfish, deeply kind, compassionate people who would be very much missed. The Calm Lake (2023) was composed for Nancy Cooley. It opens with a chord in the high register alternating with a chord in the low register, depicting the gentle ebb and flow of water at the edge of a lake. Surface ripples come and go but a calm joy is always present during this piece. Barry Mills (composer) was born in 1949 and is for the most part self-taught as a composer. He obtained a degree in Biochemistry from Sussex University in 1971, returning there in 1976-77 to pursue an MA in Music, studying analysis with David Osmond-Smith and David Roberts and composition with Colin Matthews and Ann Boyd. Winter Images is the ninth CD of his music issued by Claudio Records. Thalia Myers commissioned the piano piece "Clouds" from him for the Spectrum 2 collection published by the Associated Board and recorded by her on the NMC double CD "Spectrum". "Clouds" was issued by the Associated Board as a Grade 3 set piece in August 2002. His orchestral piece "Tartano" was premiered by the Moravian Philharmonic Orchestra, conductor Jiri Mikula, in 1997 in Olomouc, the Czech Republic, and recorded by them for the Vienna Modern Masters label. His music has been performed and broadcast in England and Switzerland and has featured in recitals in many London venues including the Wigmore Hall, Purcell Room, St Martin's in the Fields, St John's Smith Square, the Almeida Theatre and the Warehouse. Performances have also taken place in Wales, Italy, Germany, the Czech Republic, Greece, and the USA. To date Barry Mills has collaborated with Jerry Laurence (VPM Design) in producing 46 filmed performances of his music for YouTube. These can all be accessed via the Filmed Performances icon on his website: www.barrymillscomposer.net. He now divides his time between composing and organising concerts in the Brighton area. Acknowledgements My thanks to Colin Attwell for his patience and thoughtfulness throughout the making of this CD. My thanks also to his son Alex who has created beautiful artwork and set out the sleeve notes with great care. I am enormously grateful to my dear friend Geoff Hands who created the cover painting especially for the CD. A big thank you to Kay Sharp, who proof read and edited my sleeve notes. Finally thank you to all my dear musician friends for these beautiful recordings. © 2023 Barry Mills