A world removed from the grand and awesome visions of the Last Judgement that so often characterize settings of the Mass for the Dead, Brahms conceived a work of ‘consolation for those who are suffering’. Having spent more than ten years absorbing this German ‘humanist’ Requiem, Pichon and Pygmalion have meticulously shaped every bar of this compact work, achieving a form of polyphonic transparency that confounds the senses and transcends the universality of the Requiem's message.