This volume in the Complete Piano Music edition focuses on march transcriptions, a genre that often symbolised national identity and one that Liszt arranged and transcribed throughout his entire compositional career. Marches often appeared in Liszt’s recitals and allowed him to pay respect to the culture in which he was performing. These brilliant works are spiced with Hungarian timbres, suggesting native scalic patterns and the sound of the cimbalom, as well as Liszt’s Romantic flamboyance.