Rachmaninov's Piano Concerto No 1 was written whilst he was still a teenager and, though relatively playful in comparison to his other piano concertos, its three movements are full of the showmanship, beautiful melodies and lush orchestral accompaniment that were to characterise his music in the years to come. A similarly playful tone can be found in the revised 1949 edition of Stravinsky's Capriccio for Piano and Orchestra, which premiered in 1949 with the composer at the piano. Written as a virtuosic vehicle for Stravinsky himself, the piece is characterised by a dancing piano part, full of leaps and bounding with energy. Completing this release is Shchedrin's Piano Concerto No 2, recorded in the presence of the composer, which influenced by twelve-tone techniques and jazz. Virtuosic writing is a feature throughout, and the final movement sees the surprise introduction of a jazz ensemble, including vibraphone and drum kit.
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