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Wagner - Wesendonck Lieder

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Label
Catalogue numberBIS-2022 SACD
Release date2013-04-10
Discs1
Orig. sample rate96000Hz

Classic FM: Choice of the week, June 2013: "This week David's Conoisseur's Choice is an outstanding Wagner recording in his bicentenary year".


In their exploration of the symphonic repertoire of the Romantic era, Thomas Dausgaard and his Swedish Chamber Orchestra have previously recorded Bruckner, Tchaikovsky and most recently Brahms, in performances described as ‘exhilarating’ (The Observer) and ‘stirring’ (ClassicsToday.com). As they take on the music by another archetypal nineteenth-century composer, Richard Wagner, they are joined by one of today’s foremost Wagner singers. Named ‘Singer of the Year’ by the magazine Opernwelt in 2012, Nina Stemme has been the Isolde of choice at Glyndebourne, Bayreuth and Covent Garden. She here performs the five Wesendonck Songs – of which two in particular, Im Treibhaus and Träume, were referred to by their composer as ‘studies’ for Tristan and Isolde. Wagner himself prepared a version for violin and orchestra of Träume, which the conductor Felix Mottl incorporated when, supervised by the composer, he made an orchestration of the set. These songs to texts by Mathilde Wesendonck, Wagner’s muse during the 1850s, are framed by two versions of the overture to The Flying Dutchman, the rarely heard 1841 original version and the composer’s final creation from 1860, with its new ending inspired by Tristan, composed three years earlier. Concerning his revisions, Wagner wrote to Mathilde: ‘Now that I have composed Isolde’s last transfiguration, I could at last find the right close for this Fliegender-Holländer overture’. Included is also the Siegfried Idyll, composed in 1870 as one of Wagner’s few purely orchestral works. It is known by this title because it was presented as a gift to Cosima Wagner, who had recently given birth to the couple’s son Siegfried, but also because it uses themes from the opera Siegfried, which was then nearing completion. Closing the disc is the stately prelude to another opera, Die Meistersinger von Nürnberg, in which Wagner with a spectacular use of counterpoint – ‘applied Bach’ was his own description – aspires to express the idea of a reconciliation between artistic freedom and respect for tradition.
 
Extra material for download
 
01 Overture to ‘Der fliegende Holländer’, Original version
(1841)
08:49 $ 2.12 USD
 
  Composer: Wagner, Richard
  Wesendonck-Lieder 19:10
02 1. Der Engel 02:48 $ 0.67 USD
03 2. Stehe still! 03:44 $ 0.90 USD
04 3. Im Treibhaus 05:50 $ 1.40 USD
05 4. Schmerzen 02:22 $ 0.57 USD
06 5. Träume 04:26 $ 1.06 USD
 
07 Overture to ‘Der fliegende Holländer’, Final version,
WWV 63 (1860)
09:50 $ 2.36 USD
08 Siegfried-Idyll, WWV 103 17:10 $ 4.12 USD
09 Träume (No.5 of the Wesendonck-Lieder) 04:07 $ 0.99 USD
10 Prelude to ‘Die Meistersinger von Nürnberg’, WWV 96 08:55 $ 2.14 USD
  Album total 68:01
ComposerWagner, Richard
OrchestraSwedish Chamber Orchestra (Svenska Kammarorkestern)
ConductorDausgaard, Thomas
SopranoStemme, Nina
ViolinAndreasson, Katarina

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