This collection draws together some of Debussy’s most personal and evocative works, spanning his fascination with myth, poetry, and a late return to classical clarity. The solitary line of Syrinx unfolds like a whispered legend, its free contours and veiled colours distilling an entire dramatic world into a single breath. The songs set to Villon and to Pierre Louÿs reveal contrasting facets of Debussy’s vocal art: rugged, archaic intensity on the one hand, and on the other a sensuous, dreamlike lyricism in which voice and piano merge into a single expressive gesture. The violin and cello sonatas, written during the shadowed final years of the composer’s life, balance concision with emotional charge, their clear lines and compressed forms pointing toward a personal vision of classicism. Alongside these stands Children’s Corner, music of playful surface and subtle depth, where innocence is shaped with the same care and imagination as the most serious utterance. Taken together, the programme offers a portrait of Debussy as poet, dramatist, and miniaturist—music that speaks softly, yet with enduring expressive force.